William Shakespeare

Details about William Shakespeare's life are sketchy, mostly mere surmise based upon court or other clerical records. His parents, John and Mary, were married about 1557; she was of the landed gentry, he a yeoman—a glover and commodities merchant. By 1568, John had risen through the ranks of town government and held the position of high bailiff, similar to mayor. William, the eldest son, was born in 1564, probably on April 23, several days before his baptism on April 26, 1564. Shakespeare also died on April 23, 52 years later, may have resulted in the adoption of this birthdate.

William no doubt attended the local grammar school in Stratford where his parents lived, and would have studied primarily Latin rhetoric, logic, and literature. At age 18, William married Anne Hathaway, a local farmer's daughter eight years his senior. Their first daughter (Susanna) was born six months later, and twins Judith and Hamnet were born in 1585.

Shakespeare's life can be divided into three periods: the first 20 years in Stratford, which include his schooling, early marriage, and fatherhood; the next 25 years as an actor and playwright in London; and the last five in retirement back in Stratford where he enjoyed moderate wealth gained from his theatrical successes. The years linking the first two periods are marked by a lack of information about Shakespeare, and are often referred to as the “dark years”; the transition from active work into retirement was gradual and cannot be precisely dated.

John Shakespeare had suffered financial reverses from William's teen years until well into the height of the playwright's popularity and success. In 1596, John Shakespeare was granted a coat of arms, almost certainly purchased by William, who the next year bought a sizable house in Stratford. By the time of his death, William had substantial properties, both professional and personal, which he bestowed on his theatrical associates and his family (primarily his daughter Susanna, having rewritten his will one month before his death to protect his assets from Judith's new husband, Thomas Quiney, who ran afoul of church doctrine and public esteem before and after the marriage).

Shakespeare probably left school at 15, which was the norm, and took some sort of job, especially since this was the period of his father's financial difficulty. Numerous references in his plays suggest that William may have in fact worked for his father, thereby gaining specialized knowledge.

At some point during the “dark years,” Shakespeare began his career with a London theatrical company for he was already an actor and playwright of some note in 1592. Shakespeare apparently wrote and acted for Pembroke's Men, as well as numerous others, in particular Strange's Men, which later became the Chamberlain's Men, with whom he remained for the rest of his career.

When, in 1592, the Plague closed the theaters for about two years, Shakespeare turned to writing book-length narrative poetry. Most notable were “Venus and Adonis” and “The Rape of Lucrece,” (mostrar versos y puedo decir: “so you can recognize this poem whith this verses”) both verses of which were dedicated to the Earl of Southampton, whom scholars accept as Shakespeare's friend and benefactor despite a lack of documentation. During this same period, Shakespeare was writing his sonnets, which are more likely signs of the time's fashion rather than actual love poems detailing any particular relationship. He returned to play writing when theaters reopened in 1594, and published no more poetry. His sonnets were published without his consent in 1609, shortly before his retirement.

Amid all of his success, Shakespeare suffered the loss of his only son, Hamnet, who died at the age of 11. But Shakespeare's career continued unabated, and in London in 1599, he became one of the partners in the new Globe Theater, built by the Chamberlain's Men. This group was a remarkable assemblage of “excellent actors who were also business partners and close personal friends . . . [who] all worked together as equals . . . ”.

When Queen Elizabeth died in 1603 and was succeeded by her cousin King James of Scotland, the Chamberlain's Men was renamed the King's Men, and Shakespeare's productivity and popularity continued uninterrupted. He invested in London real estate and, one year away from retirement, purchased a second theater, the Blackfriars Gatehouse, in partnership with his fellow actors. His final play was Henry VIII, two years before his death in 1616.

Incredibly, most of Shakespeare's plays had never been published in anything except pamphlet form, and were simply extant as acting scripts stored at the Globe. Only the efforts of two of Shakespeare's company, John Heminges and Henry Condell, preserved his 36 plays (minus Pericles, the thirty-seventh) in the First Folio. Heminges and Condell published the plays, they said, “only to keep the memory of so worthy a friend and fellow alive as was our Shakespeare”. Theater scripts were not regarded as literary works of art, but only the basis for the performance. Plays were a popular form of entertainment for all layers of society in Shakespeare's time, which perhaps explains why Hamlet feels compelled to instruct the traveling Players on the fine points of acting, urging them not “to split the ears of the groundlings,” nor “speak no more than is set down for them.”

Present copies of Shakespeare's plays have, in some cases, been reconstructed in part from scripts written down by various members of an acting company who performed particular roles. Shakespeare's plays, like those of many of the actors who also were playwrights, belonged to the acting company. The performance, rather than the script, was what concerned the author, for that was how his play would become popular—and how the company, in which many actors were shareholders, would make money.

William Shakespeare died on April 23, 1616, and was buried two days later in the chancel of Holy Trinity Church where he had been baptized exactly 52 years earlier.

His Poems:

  • “Venus and Adonis”

  • “The Rape Of Lucrece”

  • “The Phoenix & The Turtle”

  • “A Lover's Complaint”

His Plays:

  • “All's Well That Ends Well”

  • “Antony & Cleopatra”

  • “As You Like It”

  • “The Comedy Of Errors”

  • “Coriolanus”

  • “Cymbeline”

  • “Hamlet”

  • “Henry IV”

  • “Henry V”

  • “Henry VI”

  • “Henry VIII”

  • “Julius Caesar”

  • “King John”

  • “King Lear”

  • “Love's Labor's Lost”

  • “Macbeth”

  • “Measure for Measure”

  • “The Merchant of Venice”

  • “The Merry Wives Of Windsor”

  • “A Midsummer Night's Dream”

  • “Much Ado About Nothing”

  • “Othello”

  • “Pericles, Prince of Tyre”

  • “Richard II”

  • “Richard III”

  • “Romeo & Juliet”

  • “The Taming of The Shrew”

  • “The Tempest”

  • “Timon of Athens”

  • “Titus Andronicus”

  • “Troilus & Cressida”

  • “Twelfth Night”

  • “The Two Gentleman of Verona”

  • “The Two Noble Kinsmen”

  • “The Winter's Tale”

Now, we all now that Shakespeare is a great author who lived with a lot of pressure and sadness, but he also had good friends and a work, we can say that Shakespeare is the best dramatist of all times.

  • "To be or not to be, that is the question:

  • Whether 'tis nobler in the mind to suffer

    The slings and arrows of outrageous fortune

    Or to take arms against a sea of troubles,

    And by opposing end them" (hamlet)

  • "i have debated even in my soul

  • what wrong what shame what sorrow

    i shall breed" (the rape of lucrece)

  • "I see what crosses

  • my attemp will bring" (the rape of lucrece)

  • “what is mine my love

  • shall render unto him" (a midsummer night's dream)

  • "prodigious birth of love

  • it is to me that i should love

    a loathed enemy" (romeo and juliet)

  • “O Romeo, Romeo wherefore art thou Romeo?

  • Why are you Romeo and a Montague, my father's enemy?

    Deny thy father and refuse thy name/Or it thou wilt not be,

    Be but sworn my love/And I'll no longer be a Capulet.” (romeo and juliet)

  • “Then must you speak of One

  • that lov'd not wisely but too well.

    one not easily jealous,

    but being wrought/Perplex'd in the extreme;

    of one whose hand,/Like the base Indian,

    threw a pearl away (othello)

  • “Tomorrow, and tomorrow, and tomorrow

  • Creeps in this petty pace from day to day,
    To the last syllable of recorded time;
    And all our yesterdays have lighted fools
    The way to dusty death. Out, out, brief candle!
    Life's but a walking shadow; a poor player,
    That struts and frets his hour upon the stage,
    And then is heard no more: it is a tale
    Told by an idiot, full of sound and fury,
    Signifying nothing." (macbeth)

  • "I go, and it is done; the bell invites me.

  • Hear it not, Duncan, for it is a knell
    That summons thee to heaven or to hell." (macbeth)

    Enviado por:Luly
    Idioma: inglés
    País: Venezuela

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